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One can approach Into the Spider-Verse from at least four different perspectives and it excels at all four. However, the most jaw-dropping, unique, original comic book film of 2018, the one that will doubtless be considered the most cinematically influential film of the bunch, is Spider-Man: Into the Spider-Verse (Persichetti, Ramsey & Rothman, 2018). Indeed, comic book films in 2018 were varied, interesting, culturally significant, popular and plentiful. Even the most disappointing and regressive of the year’s comic book films, Venom (Fleischer, 2018), was a financial success.

That was followed by Avengers: Infinity War (Russo Brothers, 2018), which was not as culturally important but was an even bigger global hit and an enormous blockbuster.Īfter that, Marvel films such as Deadpool 2 (Leitch, 2018) and Ant-Man and the Wasp (Reed, 2018), as well as non-Marvel comic book films such as Incredibles 2 (Bird, 2018), Teen Titans Go! To the Movies (Michail & Horvath, 2018) and Aquaman (Wan, 2018), each distinguished themselves by following a unique approach and executing that approach very well. The year began with Black Panther (Coogler, 2018), which so perfectly hit the zeitgeist of America that it instantly became a cultural touchstone. The previous five articles in my film-by-film analysis of the Marvel Films have covered most of 2018, a year which was an undisputed high-water mark for comic book films.

Spider man into the spider verse no expectations graffiti wallpaper